Call for Submissions to the 13th Iyas Creative Writing Workshop

(Taken from Santiago Villafania’s Facebook status. Might as well share this here. It’s been two years now since I was a fellow!)

The University of St. La Salle-Bacolod (USLS) is inviting young writers to submit their application for the 13th IYAS Creative Writing Workshop which will be held on April 21-27, 2013 at Balay Kalinungan, USLS-Bacolod.

Applicants should submit original work: six (6) poems, two (2) short stories, or two (2) one-act plays using a pseudonym, in five (5) computer-encoded hard copies of entries, font size 12, bound or fastened, in separate folders, and soft copies in a CD (MSWord). Short stories must be numbered, by paragraph.

These are to be accompanied by a sealed size 10 business envelope with the author’s real name and a pseudonym, a 2×2 ID photo, and short resume, which must be mailed on or before March 1, 2013.

Entries in Cebuano, Hiligaynon, Tagalog or Filipino may be submitted. Fellowships are awarded by genre and by language.

Fifteen applicants will be chosen for the fellowships, which will include partial transportation subsidy and free board and lodging.

This year’s panelists include Genevieve Asenjo, D.M. Reyes, Ronald Baytan, Dinah Roma Sianturi, Grace Monte de Ramos-Arcellana, and John Iremil Teodoro.

Please submit your application to: Ms. Rowena Japitana, IYAS Secretariat, Special Project Office, University of St. La Salle, La Salle Avenue, Bacolod City. For inquiries, please email iyasliterary@yahoo.com.

IYAS is held in collaboration with the Bienvenido N. Santos Creative Writing Center of De La Salle University-Manila and the National Commission for Culture and the Arts.


Footnote to Youth by Jose Garcia Villa

(In spite of its being one of the most anthologized stories in Philippine literature, it was surprisingly difficult to find a reliable copy of Jose Garcia Villa’s “Footnote to Youth” online. So when I encoded a copy for a critical paper I was working on, I decided to share it here for the benefit of future students. This was taken from Isagani Cruz’s The Best Philippine Short Stories of the Twentieth Century, published in 2000, itself taking the story from Leopoldo Yabes’s Philippine Short Stories: 1925-1940, published in 1971. I claim no copyright for the story.)

Footnote to Youth

by: Jose Garcia Villa

The sun was salmon and hazy in the west. Dodong thought to himself he would tell his father about Teang when he got home, after he had unhitched the carabao from the plow, and led it to its shed and fed it. He was hesitant about saying it, he wanted his father to know what he had to say was of serious importance as it would mark a climacteric in his life. Dodong finally decided to tell it, but a thought came to him that his father might refuse to consider it. His father was a silent hardworking farmer, who chewed areca nut, which he had learned to do from his mother, Dodong’s grandmother.

I will tell him. I will tell it to him.

The ground was broken up into many fresh wounds and fragrant with a sweetish earthy smell. Many slender soft worms emerged from the further rows and then burrowed again deeper into the soil. A short colorless worm marched blindly to Dodong’s foot and crawled clammily over it. Dodong got tickled and jerked his foot, flinging the worm into the air. Dodong did not bother to look where into the air, but thought of his age, seventeen, and he said to himself he was not young anymore.

Dodong unhitched the carabao leisurely and gave it a healthy tap on the hip. The beast turned its head to look at him with dumb faithful eyes. Dodong gave it a slight push and the animal walked alongside him to its shed. He placed bundles of grass before it and the carabao began to eat. Dodong looked at it without interest.

Dodong started homeward thinking how he would break his news to his father. He wanted to marry, Dodong did. He was seventeen, he had pimples on his face, the down on his upper lip was dark – these meant he was no longer a boy. He was growing into a man – he was a man. Dodong felt insolent and big at the thought of it, although he was by nature low in stature. Thinking himself man-grown, Dodong felt he could do anything.

He walked faster, prodded by the thought of his virility. A small angled stone bled his foot, but he dismissed it cursorily. He lifted his leg and looked at the hurt toe and then went on walking. In the cool sundown, he thought wild young dreams of himself and Teang, his girl. She had a small brown face and small black eyes and straight glossy hair. How desirable she was to him. She made him want to touch her, to hold her. She made him dream even during the day.

Dodong tensed with desire and looked at the muscle of his arms. Dirty. This fieldwork was healthy invigorating, but it begrimed you, smudged you terribly. He turned back the way he had come, then marched obliquely to a creek.

Dodong stripped himself and laid his clothes, a gray under shirt and red kundiman shorts, on the grass. Then he went into the water, wet his body over and rubbed at it vigorously. He was not long in bathing, then he marched homeward again. The bath made him feel cool.

It was dusk when he reached home. The petroleum lamp on the ceiling was already lighted and the low unvarnished square table was set for supper. He and his parents sat down on the floor around the table to eat. They had fried freshwater fish, and rice, bananas and caked sugar.

Dodong ate fish and rice, but did not partake of the fruit. The bananas were overripe and when one held them, they felt more fluid than solid. Dodong broke off a piece of caked sugar, dipped it in his glass of water and ate it. He got another piece and wanted some more, but he thought of leaving the remainder for his parents.

Dodong’s mother removed the dishes when they were through, and went out to the batalan to wash them. She walked with slow careful steps and Dodong wanted to help her carry the dishes out, but he was tired and now felt lazy. He wished as he looked at her that he had a sister who could help his mother in the housework. He pitied her, doing all the housework alone.

His father remained in the room, sucking a diseased tooth. It was paining him, again. Dodong knew. Dodong had told him often and again to let the town dentist pull it out, but he was afraid, his father was. He did not tell that to Dodong, but Dodong guessed it. Afterward, Dodong himself thought that if he had a decayed tooth, he would be afraid to go to the dentist; he would not be any bolder than his father.

Dodong said while his mother was out that he was going to marry Teang. There it was out, what we had to say, and over which he had done so much thinking. He had said it without any effort at all and without self-consciousness. Dodong felt relieved and looked at his father expectantly. A decresent moon outside shed its feeble light into the window, graying the still black temples of his father. His father looked old now.

“I am going to marry Teang,” Dodong said.

His father looked at him silently and stopped sucking the broken tooth, The silence became intense and cruel, and Dodong wished his father would suck that troublous tooth again. Dodong was uncomfortable and then became very angry because his father kept looking at him without uttering anything.

“I will marry Teang,” Dodong repeated. “I will marry Teang.”

His father kept gazing at him in inflexible silence and Dodong fidgeted in his seat.

“I asked her last night to marry me and she said…yes. I want your permission… I… want… it…” There was an impatient clamor in his voice, an exacting protest at his coldness, this indifference. Dodong looked at his father sourly. He cracked his knuckles one by one, and the little sound it made broke the night stillness dully.

“Must you marry, Dodong?”

Dodong resented his father’s question; his father himself had married early. Dodong made a quick impassioned essay in his mind about selfishness, but later, he got confused.

“You are very young, Dodong.”

“I’m seventeen.”

“That’s very young to get married at.”

“I… I want to marry… Teang’s a good girl…

“Tell your mother,” his father said.

“You tell her, tatay.

“Dodong, you tell your inay.”

“You tell her.”

“All right, Dodong.”

“You will let me marry Teang?”

“Son, if that is your wish… of course…” There was a strange helpless light in his father’s eyes. Dodong did not read it. Too absorbed was he in himself.

Dodong was immensely glad he had asserted himself. He lost his resentment toward his father. For a while he even felt sorry for him about the diseased tooth. Then he confined his mind dreaming of Teang and himself. Sweet young dreams…

Dodong stood in the sweltering noon heat, sweating profusely so that his camiseta was damp. He was still as a tree and his thoughts were confused. His mother had told him not to leave the house, but he had left. He wanted to get out of it without clear reason at all. He was afraid, he felt. Afraid of the house. It had seemed to cage him, to compress his thoughts with severe tyranny. Afraid also for Teang. Teang was giving birth in the house; she gave screams that chilled his blood. He did not want her to scream like that, she seemed to be rebuking him. He began to wonder madly if the process of childbirth was really painful. Some women, when they gave birth, did not cry.

In a few moments he would be a father. “Father, father,” he whispered the word with awe, with strangeness. He was young, he realized now contradicting himself of nine months ago. He was very young… He felt queer, troubled, uncomfortable…“Your son,” people would soon be telling him. “Your son, Dodong.”

Dodong felt tired of standing. He sat down on a sawhorse with his feet close together. He looked at his calloused toes. Suppose he had ten children…What made him think that? What was the matter with him? God!

He heard his mother’s voice from the house.

“Come up, Dodong. It is over.”

Suddenly, he felt terribly embarrassed as he looked at her. Somehow, he was ashamed to his mother of his youthful paternity. It made him feel guilty, as if he has taken something not properly his. He dropped his eyes and pretended to dust off his kundiman shorts.

“Dodong,” his mother called again. “Dodong.”

He turned to look again and this time, he saw his father beside his mother.

“It is a boy.” His father said. He beckoned Dodong to come up.

Dodong felt more embarrassed and did not move. His parent’s eyes seemed to pierce through him so he felt limp. He wanted to hide or even run away from them.

“Dodong, you come up. You come up,” his mother said.

Dodong did not want to come up. He’d rather stayed in the sun.

“Dodong… Dodong.”

I’ll… come up.

Dodong traced the tremulous steps on the dry parched yard. He ascended the bamboo steps slowly. His heart pounded mercilessly in him. Within, he avoided his parent’s eyes. He walked ahead of them so that they should not see his face. He felt guilty and untrue. He felt like crying. His eyes smarted and his chest wanted to burst. He wanted to turn back, to go back to the yard. He wanted somebody to punish him.

His father thrust his hand in his and gripped it gently.

“Son,” his father said.

And his mother: “Dodong..”

How kind were their voices. They flowed into him, making him strong.

“Teang?” Dodong said.

“She’s sleeping. But you go on…”

His father led him into the small sawali room. Dodong saw Teang, his girl-wife, asleep on the papag with black hair soft around her face. He did not want her to look that pale.

Dodong wanted to touch her, to push away that stray wisp of hair that touched her lips. But again that feeling of embarrassment came over him, and before his parents, he did not want to be demonstrative.

The hilot was wrapping the child. Dodong heard him cry. The thin voice pierced him quietly. He could not control the swelling of happiness in him.

“You give him to me. You give him to me,” Dodong said.

Blas was not Dodong’s only child. Many more children came. For six successive years, a new child came along. Dodong did not want any more children. But they came. It seemed that the coming of children could not helped. Dodong got angry with himself sometimes.

Teang did not complain, but the bearing of children told on her. She was shapeless and thin now, even if she was young. There was interminable work to be done. Cooking. Laundering. The house. The children. She cried sometimes, wishing she had not married. She did not tell Dodong this, not wishing him to dislike her. Yet she wished she had not married. Not even Dodong whom she loved. There had been another suitor, Lucio, older than Dodong by nine years, and that was why she had chosen Dodong. Young Dodong. Seventeen. Lucio had married another after her marriage to Dodong, but he was childless until now. If she had married Lucio, she wondered, would she have borne him children? Maybe not, either. That was a better lot. But she loved Dodong…

Dodong whom life had made ugly.

One night, as he lay beside his wife, he rose and went out of the house. He stood in the moonlight, tired and querulous. He wanted to ask questions and somebody to answer him. He wanted to be wise about many things.

One of them was why life did not fulfill all of the Youth’s dreams. Why it must be so. Why one was forsaken… after love.

Dodong could not find the answer. Maybe the question was not to be answered. It must be so to make youth Youth. Youth must be dreamfully sweet. Dreamfully sweet. Dodong returned to the house, humiliated by himself. He had wanted to know a little wisdom but was denied it.

When Blas was eighteen, he came home one night, very flustered and happy. Dodong heard Blas’ steps for he could not sleep well of nights. He watched Blass undress in the dark and lie down softly. Blas was restless on his mat and could not sleep. Dodong called his name and asked why he did not sleep.

“You better go to sleep. It is late,” Dodong said.

Blas raised himself on is elbow and muttered something in a low fluttering voice.

“Itay..” Blas called softly.

Dodong stirred and asked him what it was.

“I’m going to marry Tona. She accepted me tonight.”

Dodong lay on the red pillow without moving.

“Itay, you think its over.”

Dodong lay silent.

I loved Tona and… I want her.”

Dodong rose from his mat and told Blas to follow him. They descended to the yard where everything was still and quiet.The moonlight was cold and white.

“You want to marry Tona,” Dodong said. He did not want Blas to marry yet. Blas was very young. The life that would follow marriage would be hard…

“Yes.”

“Must you marry?”

Blas’ voice was steeled with resentment. “I will marry Tona.”

“You have objections, Itay?” Blas asked acridly.

“Son… n-none…” (But truly, God, I don’t want Blas to marry yet…not yet. I don’t want Blas to marry yet…)

But he was helpless. He could not do anything. Youth must triumph… now. Afterward… it will be Life.

As long ago Youth and Love did triumph for Dodong… and then Life.

Dodong looked wistfully at his young son in the moonlight. He felt extremely sad and sorry for him.


Call for Submissions to the 52nd Silliman National Writers Workshop

(It may be a bit late, but I might as well share the call here. I’m going to be programs officer for the workshop!)

“The Silliman University National Writers Workshop is now accepting applications for the 52nd National Writers Workshop to be held 6—24 May 2013 at the Silliman University Rose Lamb Sobrepeña Writers Village in Valencia, Negros Oriental.

This Writers Workshop is offering twelve fellowships to promising writers in the Philippines who want to have a chance to hone their craft and refine their style. Fellows will be provided housing, a modest stipend, and a subsidy to partially defray costs of their transportation.

To be considered, applicants should submit manuscripts in English on or before 15 January 2013. All manuscripts should comply with the instructions stated below. (Failure to do so will automatically eliminate their entries).

Applicants for Fiction and Creative Nonfiction fellowships should submit three to four (3-4) entries. Applicants for Poetry fellowships should submit a suite of seven to ten (7-10) poems. Applicants for Drama fellowship should submit at least a One-Act Play. For plays beyond the one-act length, a scene accompanied by a synopsis of the entire work should be included.

Each fiction, creative nonfiction, or drama manuscript should not be more than 50 pages, double spaced. We encourage you to stay well below the 50 pages, since a submission half that length is more than sufficient as a critical gauge.

Manuscripts should be submitted in five (5) hard copies. They should be computerized in MS Word, double-spaced, on 8.5 x 11 inches bond paper, with approximately one-inch margin on all sides. The page number must be typed consecutively (e.g., 1 of 30, 2 of 30, and so on) at the center of the bottom margin of each page. The font should be Book Antiqua or Palatino, and the font size should be 12.

The applicant’s real name and address must appear only in the official application form and the certification of originality of works, and must not appear on the manuscripts.

Manuscripts should be accompanied by the official application form, a notarized certification of originality of works, and at least one letter of recommendation from a literature professor or an established writer.  All requirements must be complete at the time of submission.

Send all applications or requests for information to Department of English and Literature, attention Prof. Ian Rosales Casocot, Workshop Coordinator, 1/F Katipunan Hall, Silliman University, 6200 Dumaguete City. For inquiries, email us at silliman.cwc@gmail.com or call 035-422-6002 loc. 350.”

To download the application form and the certification of authorship, go to the Call for Submissions Page at Panitikan.com.ph (it’s at the lower part of the page)